yso

As a combination of artistic ideas and cultural significance, this wooden sculpture resembles both a handrail and a caterpillar. It is built with -between other materials- palo santo, a sacred wood that is known for its protection properties, and reflects indigenous resistance practices.

The sculpture challenges the typical use of a handrail by incorporating palo santo spikes along its surface, making it non-functional and turning it into a symbolic representation of defense and deterrence. This combination of form and material encourages thoughts about the usefulness of traditional structures, thoughts about institutions, transformations, migration, displacement, the commodification of goods and the adaptability of indigenous practices.

The use of palo santo in this context also prompts reflection on its widespread consumption in rituals and white wash practices by ignorant individuals, leading to its depletion and endangerment as a species. This unsustainable trend highlights the disconnect between good intentions and ecological impact, emphasizing the importance of respecting indigenous traditions and conserving natural resources.

Through this artwork, I aim to provoke thoughts about the preservation of indigenous knowledge and the responsible use of natural materials, urging viewers to consider the implications of their actions on cultural heritage and environmental sustainability.